Chanel Bleu de Chanel Parfum for Man-2018 Edition

PRODUCT

The most intense of the BLEU DE CHANEL fragrances. Powerful and refined, BLEU DE CHANEL Parfum for men reveals the essence of determination.

COMPOSITION

An aromatic freshness opens, lingering on the warm, addictive fullness of Cedar and Sandalwood from New Caledonia that sweeps throughout the intense, woody fragrance.

ART OF PERFUMING

The Parfum comes in a spray for easy application.

Kenzo, Flower by Kenzo

Kenzo, Flower by Kenzo

THE POWER OF A FLOWER

FLOWER BY KENZO was born of a poetic daring : to bring a flower forth in the city. A strong, liberated flower, to pierce the concrete and infuse the air with its magic. A flower to touch women. A flower to make the world a more beautiful place.

Ingredients

Olfactory inspirations

Flower by kenzo
eau de parfum

Only an uncommon fragrance could symbolize the poppy. Reveal its singular blend of power and fragility. Justly express its poetic power. Only a floral fragrance could do all this. The master perfumer Alberto Morillas chose the queen of all flowers: the lush, elegant, quintessentially floral Bulgarian rose. Acacia farnesiana and May blossom provide their finesse. Parme violet adds its understated, sensuous notes. A Bourbon vanilla absolute and white musks wrap these flowers in an addictive softness. A restrained floral fragrance recognisable anywhere.

Flower by Kenzo
The ingredient ‘VETIVER’

The ingredient ‘VETIVER’

The mighty vetiver, a staple ingredient in most masculine fragrances

Vetiver oil, also known as khus oil, is believed to be very grounding, calming and stabilizing, and provides a range of essential oil uses and benefits. Its calming and soothing properties are said to dispel anger, hysteria and irritability, and reduce neurotic behavior.

What Is Vetiver Oil?

Chrysopogon zizanioides, commonly known as vetiver, is a perennial grass that belongs to the Poaceae family, which is native to India. Western and Northern India know this plant as khus.

Vetiver (Vetiveria zizanioides), derived from a Tamil word that means “hatcheted up,” can grow up to 1.5 meters (4.9 feet). It has tall stems and long, thin and rigid leaves. Its flowers are brownish-purple. Vetiver hails from India but is widely cultivated in the world’s tropical regions.

Vetiver essential oil is derived through the steam distillation of the plant’s roots. It has a strong initial aroma and is described as woody, smokey, earthy, herbaceous and spicy. While not widely known, it dates back centuries and, in the 12th century, even became a taxable item in India.

Perhaps the most valued quality of vetiver oil is that it is deeply grounding and often used for promoting sleep. It is said to also be equally helpful for restlessness.

Uses of Vetiver Oil

Almost the whole vetiver plant is used for various applications. The roots have been particularly used since ancient times.

Vetiver essential oil is extensively utilized in perfumery, including the creation of perfumes for the body, room fresheners and coolers, as well as soaps, cosmetics, and oils. It is also a flavoring agent in beverages, sorbets and other foodstuffs. Its aromatic effect on the mind is grounding, calming and balancing, while its other notable actions are antiseptic, antispasmodic, immune-stimulating, warming and sedative to the nervous system, and stimulating to the circulatory system, to name a few.6

Vetiver oil’s calming and soothing properties are said to dispel anger, hysteria and irritability, and reduce neurotic behavior. This in turn reduces stress and tension. These revitalizing qualities make it helpful with physical and mental exhaustion, and for addressing issues ranging from general aches and pains to insomnia and anxious feelings.

Composition of Vetiver Oil

According to a paper by U.C. Lavania from India, the chemical composition of vetiver oil is extremely complex. It mainly comprises sesquiterpenes and sesquiterpene derivatives, of which vetiverols, their carbonyl compounds and esters, serve as the main constituents. Their relative abundance normally dictates the quality of the oil.

Three carbonyl compounds are deemed the primary odor-influencing components of this essential oil, which is used extensively to blend oriental-type perfumes and floral compounds, along with other cosmetic and aromatherapy applications. Vetiver oil is also a main ingredient in 36 percent of all Western-quality perfumes and 20 percent of all men’s fragrances, says Lavania. The author adds that the main fibrous smooth roots are important for oil quality.

 

Dolce and Gabanna, The Velvet Collection

Dolce and Gabanna, The Velvet Collection

THE VELVET COLLECTION

It’s from the private memories of Domenico Dolce and Stefano Gabbana that the Dolce&Gabbana Velvet Collection of exquisite perfumes was inspired. Velvet is an emblem for the history, fashion and personal recollections it brings together. It’s unique in its feel and appearance, and is sensual, evocative and hand-crafted. Just like the Dolce&Gabbana Velvet Collection perfumes.

Each scent from Dolce&Gabbana Velvet Collection is the fruit of a dedicated research into the ancient essences of Italian tradition, reinterpreted using contemporary perfume-making techniques, bringing the wearer on an unprecedented olfactory journey to discover the origins and the history of Dolce&Gabbana. Just like a couture dress.

 

The Moepel Accord for Dolce & Gabbana Intenso

The Moepel Accord for Dolce & Gabbana Intenso

The Concept

Dolce&Gabbana Intenso is pure instinct; the power of an emotion that is freely expressed. It is the force of a determined man, with a heart that is rooted in tradition, yet revels in the modern world. Dolce&Gabbana Intenso is a woody aromatic fragrance, whose profound appeal is defined by a brand new discovery in the olfactory world: the Moepel accord which has been re-created from the flowers and leaves of the Milkwood tree using Headspace technology.

The Design

Dolce&Gabbana Intenso represents the new generation of Dolce&Gabbana men, whose heart is simultaneously rooted in tradition. In the same pattern, Intenso marks and celebrates its ties with Pour Homme by mirroring the iconic lines of its design. The classic flacon, elegant and understated with its curved silhouette and cylindrical cap, is refreshed in a dark tobacco brown lacquered glass, embossed with the Dolce&Gabbana logo in an elegant copper shade.

Top

Intenso opens with luminous Aquatic notes and green accents of Basil. This fresh feeling is completed with notes of Marigold and Geranium.

Heart

First come the notes of lavender and thenThe tobacco masculinity is further defined with soft dry notes from Absolutes of Hay and Bran.

Base

Luxurious floral, balsamic, and honey accents. Intensity and strength come from the profound combination Labdanum, Sandalwood and Cypress. A contrast of fresh, warm and rich, that completes the composition of the fragrance and emphasises its woody charm.

 

Chanel Gabrielle Edp

Chanel Gabrielle Edp

The inspiration for the luminous floral fragrance: GABRIELLE CHANEL. Olivier Polge crafted this Eau de Parfum as an imaginary flower

BVLGARI: LE GEMME ORIENTALI FRAGRANCES

BVLGARI: LE GEMME ORIENTALI FRAGRANCES

Adding to its “Gems Road” collection, Bulgari introduces Le Gemme Orientali — three complementary perfumes that interpret the natural scents of the Earth to new heights.

Inspired by the most renowned gemstones of the Arabian Peninsula, the story unfolds with Zahira, or Imperial Topaz, known for its sun-golden glow, Selima, or Carnelian, a rich and serene red and Lazulia, or Lapis Lazuli, an intense night-blue that echoes the strength of royalty and spiritual depth.

Givaudan Master Perfumer Daniela Andrier worked to interpret the story of the road from the Orient to the Mediterranean with its precious gemstones, spices, scents and aromas. This land was the birthplace of perfumery and has nurtured the olfactory experimentation that has become the art of high-perfumery today.

As with the others in the Le Gemme Collection, the bottle is in the arabesque shape with a sculpted cap in the gemstone’s deep colors that is representative of the intricate mosaics of the Bulgari Intarsio jewelry collection.

Notes

Zahira: The heat of cinnamon. ylang ylang and luminous Laotian benzoin.

Selima: Velvety candied dates, pimento heat, the intensity of Bulgarian rose essence and the sensual opacity of cedar wood.

Lazulia: Delicate jasmine petals, royal oud wood, incense and amber.

Happiness is…a new perfume!

Happiness is…a new perfume!

There are favorite perfume quotes we love!

  • Perfume is the key to memories- Kate Lord Brown
  • A perfume is more than an extract. It is a presence in abstraction. A perfume, for me, is a mystique- Giorgio Armani
  • Good manners and good cologne is what transfers a man into a gentleman- Tom Ford

  • Perfumery is a symphony, it has a beginning, a middle and an end
  • Your perfume is your message, your scented slogan- Maurice Roucel.
HISTORY OF PERFUME

HISTORY OF PERFUME

The word perfume is used today to describe scented mixtures and is derived from the Latin word, “per fumus,” meaning through smoke. The word Perfumery refers to the art of making perfumes. Perfume was further refined by the Romans, the Persians and the Arabs. Although perfume and perfumery also existed in East Asia, much of its fragrances are incense based. The basic ingredients and methods of making perfumes are described by Pliny the Elder in his Naturalis Historia.

The world’s first recorded chemist is a woman named Tapputi, a perfume maker whose existence was first discovered on a 1200 BCE Cuneiform tablet in Babylonian Mesopotamia. She held a powerful role in the Mesopotamian government and religion, as the overseer of the Mesopotamian Royal Palace. She developed methods for “distillation, cold enfleurage, tincture,” and other scent extraction techniques that would lay the basis for perfume making. She recorded her techniques and methods and those were passed on, with her most groundbreaking technique in using solvents.

India

Perfume and perfumery also existed in Indus civilization (3300 BCE – 1300 BCE). One of the earliest distillation of Ittar was mentioned in the Hindu Ayurvedic text Charaka Samhita and Sushruta Samhita. According to a 1975 report, an archeologist named Dr Paolo Rovesti found a terra-cotta distillation apparatus in the Indus valley together with oil containers made of the same material, and carbon dating puts this at 3000 B.C., much earlier than we conventionally believe that distillation became practiced for the isolation of essential oils. We believe that terra cotta vessels with plugged orifices of woven materials were used so that when fragrant plant materials were covered with boiling water the vapours impregnated the material, which was subsequently wrung out to isolate the oil.

The perfume references are part of a larger text called Brihat-Samhita written by Varahamihira, an Indian astronomer, mathematician and astrologer who lived in the historic city of Ujjain. He was one of the ‘nine jewels’ in the court of the Maharaja of Malwa. The perfume portion mainly deals with the manufacture of perfumes to benefit ‘royal personages and inmates of harems’. The text is written as Sanskrit slokas with commentary by a 10th Century Indian commentator Utpala.

Cyprus

To date, the oldest perfumery was discovered on the island of Cyprus. Excavations in 2004-5 under the initiative of an Italian archaeological team unearthed evidence of an enormous factory that existed 4,000 years ago during the Bronze Age.This covered an estimated surface area of over 4,000m² indicating that perfume manufacturing was on an industrial scale.The news of this discovery was reported extensively through the world press and many artifacts are already on display in Rome. The Bible describes a sacred perfume (Exodus 30:22-33) consisting of liquid myrrh, fragrant cinnamon, fragrant cane, and cassia. Its use was forbidden, except by the priests. The women wore perfume to present their beauty.

Islamic

Islamic cultures contributed significantly to the development of Western perfumery in two significant areas: perfecting the extraction of fragrances through steam distillation and introducing new raw materials. Both have greatly influenced Western perfumery and scientific developments, particularly chemistry.

The rise of the Christianity ended the use of perfume around the Middle East, in daily life, as well as in the religious rituals. Meanwhile, Arabs preserved it, and later with a rise of Islam, Muslims improved its production and continued to use perfumes in daily life and in practicing religion. They used musk, roses and amber, among other materials. As traders, Islamic cultures such as the Arabs and Persians had wider access to a wide array of spices, resins, herbs, precious woods, herbs and animal fragrance materials such as ambergris and musk. In addition to trading, many of the flowers and herbs used in perfumery were cultivated by the Muslims — rose and jasmine were native to the region, and many other plants (i.e.: bitter orange and other citrus trees, all of which imported from China and southeast Asia) could be successfully cultivated in the Middle East, and are to this day key ingredients in perfumery.

In Islamic culture, perfume usage has been documented as far back as the 6th century and its usage is considered a religious duty. Muhammad said:

They often used to blend extracts with the cement of which mosques were built. Such rituals gave incentives to scholars to search and develop a cheaper way to produce incenses and in mass production.

Many great discoveries originates from the region in 10th century, the time when the still was invented, and as a consequence of which the distill techniques considerably improved. Thanks to the hard work of two talented Arabian chemists: Jābir ibn Hayyān (Geber, born 722, Iraq), and Al-Kindi (Alkindus, born 801, Iraq) who established the perfume industry. Jabir developed many techniques, including distillation, evaporation and filtration, which enabled the collection of the odour of plants into a vapour that could be collected in the form of water or oil.

Al-Kindi, however, was the real founder of perfume industry as he carried out extensive research and experiments in combining various plants and other sources to produce a variety of scent products. He elaborated a vast number of ‘recipes’ for a wide range of perfumes, cosmetics and pharmaceuticals. His work in the laboratory is reported by a witness who said:

The writer goes on in the same section to speak of the preparation of a perfume called ghaliya, which contained musk, amber and other ingredients; too long to quote here, but which reveals a long list of technical names of drugs and apparatus. Al-Kindi also wrote in the 9th century a book on perfumes which he named ‘Book of the Chemistry of Perfume and Distillations’. It contained more than a hundred recipes for fragrant oils, salves, aromatic waters and substitutes or imitations of costly drugs. The book also described one hundred and seven methods and recipes for perfume-making, and even the perfume making equipment, like the alembic, still bears its Arabic name.

The Persian Muslim doctor and chemist Avicenna (also known as Ibn Sina) introduced the process of extracting oils from flowers by means of distillation, the procedure most commonly used today. He first experimented with the rose. Until his discovery, liquid perfumes were mixtures of oil and crushed herbs, or petals which made a strong blend. Rose water was more delicate, and immediately became popular. Both of the raw ingredients and distillation technology significantly influenced western perfumery and scientific developments, particularly chemistry.

Eventually perfume arrived to European courts through Al-Andalus in the west, and on the other side, with the crusaders in the east. For instance, eggs and floral perfumes were brought to Europe in the 11th and 12th centuries from Arabia, by returning crusaders, through trade with the Islamic world. Those who traded for these were most often also involved in trade for spices and dyestuffs. There are records of the Pepperers Guild of London, going back to 1179; which show them trading with Muslims in spices, perfume ingredients and dyes.Catharina de Medici initiated the perfume industry in Europe when she left Italy in the 16th century to marry the French crown prince.

Western

Knowledge of something perfumery came to Europe as early as the 14th century due partially to Arabic influences and knowledge. But it was the Hungarians who ultimately introduced the first modern perfume. The first modern perfume, made of scented oils blended in an alcohol solution, was made in 1370 at the command of Queen Elizabeth of Hungary and was known throughout Europe as Hungary Water. The art of perfumery prospered in Renaissance Italy, and in the 16th century, Italian refinements were taken to France by Catherine de’ Medici‘s personal perfumer, Rene le Florentin. His laboratory was connected with her apartments by a secret passageway, so that no formulas could be stolen en route.

France

France quickly became the European center of perfume and cosmetic manufacture. Cultivation of flowers for their perfume essence, which had begun in the 14th century, grew into a major industry in the south of France mainly in Grasse now considered the world capital of perfume. During the Renaissance period, perfumes were used primarily by royalty and the wealthy to mask body odors resulting from the sanitary practices of the day. Partly due to this patronage, the western perfumery industry was created. Perfume enjoyed huge success during the 17th century. Perfumed gloves became popular in France and in 1656, the guild of glove and perfume-makers was established. Perfumers were also known to create poisons; for instance, a French duchess was murdered when a perfume/poison was rubbed into her gloves and was slowly absorbed into her skin.

Perfume came into its own when Louis XV came to the throne in the 18th century. His court was called “la cour parfumée” (the perfumed court). Madame de Pompadour ordered generous supplies of perfume, and King Louis demanded a different fragrance for his apartment every day. The court of Louis XIV was even named due to the scents which were applied daily not only to the skin but also to clothing, fans and furniture. Perfume substituted for soap and water. The use of perfume in France grew steadily. By the 18th century, aromatic plants were being grown in the Grasse region of France to provide the growing perfume industry with raw materials. Even today, France remains the centre of the European perfume design and trade.

After Napoleon came to power, exorbitant expenditures for perfume continued. Two quarts of violet cologne were delivered to him each week, and he is said to have used sixty bottles of double extract of jasmine every month. Josephine had stronger perfume preferences. She was partial to musk, and she used so much that sixty years after her death the scent still lingered in her boudoir.

England

Perfume use peaked in England during the reigns of Henry VIII (reigned 1509-1547) and Queen Elizabeth I (reigned 1558-1603). Ladies of the day took great pride in creating delightful fragrances and they displayed their skill in mixing scents.

As with industry and the arts, perfume underwent profound change in the 19th century. Changing tastes and the development of modern chemistry laid the foundations of modern perfumery. Alchemy gave way to chemistry and new fragrances were created. The industrial revolution in no way diminished the taste for perfume, there was even a fragrance called “Parfum à la Guillotine.”

Perfume manufacture in Russia grew after 1861 and became globally significant by the early 20th century. The production of perfume in the Soviet Union became a part of the planned economy in the 1930s.

Americas

In early America, the first scents were colognes and scented water by French explorers in New France. Florida water, an uncomplicated mixture of eau de cologne with a dash of oil of cloves, cassia, and lemongrass, was popular.